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The Lamentation over the Dead Christ Gemälde ID:: 81513
Siehe Galerie in Schweden
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The Lamentation over the Dead Christ Date 1617(1617)
Medium Oil on slate
Dimensions Height: 42 cm (16.5 in). Width: 53 cm (20.9 in).
cjr Date_1617(1617)
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Medium_Oil_on_slate
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Dimensions_Height:_42_cm_(16.5_in)._Width:_53_cm_(20.9_in).
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cjr
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Template:The Raising of Lazarus Gemälde ID:: 84704
Siehe Galerie in Schweden
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Template:The Raising of Lazarus Date 1617(1617)
Medium Oil on slate
Dimensions Height: 36 cm (14.2 in). Width: 27 cm (10.6 in).
cjr Date_1617(1617)
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Medium_Oil_on_slate
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Dimensions_Height:_36_cm_(14.2_in)._Width:_27_cm_(10.6_in).
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cjr
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The Lamentation over the Dead Christ Gemälde ID:: 85237
Siehe Galerie in Schweden
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The Lamentation over the Dead Christ 1617(1617)
Medium Oil on slate
cyf 1617(1617)
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Medium_Oil_on_slate
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cyf
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Bacchus and Ariadne Gemälde ID:: 87921
Siehe Galerie in Schweden
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Bacchus and Ariadne Oil on canvas, 114,5 x 147,5 cm
cjr Oil_on_canvas,_114,5__x__147,5_cm
cjr
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Saint Agatha Attended by Saint Peter and an Angel in Prison Gemälde ID:: 96261
Siehe Galerie in Schweden
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Saint Agatha Attended by Saint Peter and an Angel in Prison circa between 1640(1640) and 1645(1645) (Baroque)
Medium oil on slate
cyf circa_between_1640(1640)_and_1645(1645)_(Baroque)_
Medium_oil_on_slate_
cyf
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1 | Vorheriger Künstler Nächster Künstler
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Alessandro Turchi
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(1578 - 22 January 1649) was an Italian painter of the early Baroque, born and active mainly in Verona, and moving late in life to Rome. He also went by the name Alessandro Veronese or the nickname L'Obetto.
Turchi initially trained with Felice Riccio (il Brusasorci) in Verona. By 1603, he is already working as independent painter, and in 1606-1609, Turchi paints the organ shutters for the Filarmonica Academy of Verona. When Brusasorci dies in 1605, Turchi and his fellow Paschal Ottino (or Pasquale) complete a series of their deceased master's canvases. In 1610, he completes an Assumption altarpiece for the church of San Luca of Verona In 1612, the Veronese Guild of the Goldsmiths commissions an altarpiece, today lost, of the Madonna and Saints. On leaving the school of Riccio, he went to Venice, where he worked for a time under Curio Cagliari.
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